{"id":2796,"date":"2025-06-16T17:17:07","date_gmt":"2025-06-16T17:17:07","guid":{"rendered":"https:\/\/orchid-panther-716643.hostingersite.com\/2025-6-16-fast-summary-annecy-2025\/"},"modified":"2026-01-15T10:21:21","modified_gmt":"2026-01-15T10:21:21","slug":"fast-summary-annecy-2025","status":"publish","type":"post","link":"https:\/\/jordalefou.com\/es\/2025\/06\/16\/fast-summary-annecy-2025\/","title":{"rendered":"\/\/ Resumen r\u00e1pido Annecy 2025"},"content":{"rendered":"<div class=\"sqs-html-content\" data-sqsp-text-block-content=\"\">\n<p class=\"\" style=\"white-space: pre-wrap;\">This year <strong>2025<\/strong> I was able to enjoy a stay in <strong>Annecy<\/strong>, the <strong>world&#8217;s reference for Animation<\/strong>.<\/p>\n<p>I have allowed myself a few lines with my humble impressions.<\/p>\n<ul data-rte-list=\"default\">\n<li>\n<p class=\"\" style=\"white-space: pre-wrap;\">It is clear that <strong>professionals are concerned about AI,<\/strong> especially students and freelancers. From my point of view, the new generations will see their motivation biased at all levels, but especially at THE creative level.<\/p>\n<\/li>\n<li>\n<p class=\"\" style=\"white-space: pre-wrap;\">Behind closed doors, there have been some small <a href=\"https:\/\/www.animationmagazine.net\/2025\/06\/protests-against-artificial-intelligence-use-in-the-industry-planned-for-annecy-animation-fest\/\">PROTESTS<\/a> with no real impact.<\/p>\n<\/li>\n<li>\n<p class=\"\" style=\"white-space: pre-wrap;\">The companies, on their side, have (with some exceptions) also shown a slight shiver of fear. <strong>New pipelines are announced<\/strong>, but nobody really specifies what the new pipelines consist of.<\/p>\n<\/li>\n<li>\n<p class=\"\" style=\"white-space: pre-wrap;\">The two most talked-about words were: <strong>IP (Intellectual Property) followed by \u2018diversity\u2019.<\/strong><\/p>\n<\/li>\n<li>\n<p class=\"\" style=\"white-space: pre-wrap;\">The future of some companies is looking towards the <strong>original creation of their own content.<\/strong> One example is <a href=\"https:\/\/www.rodeofx.com\">Rodeo<\/a> Fx, which with the purchase of Mikros opens a line closer to animated film production than VFX.<\/p>\n<\/li>\n<li>\n<p class=\"\" style=\"white-space: pre-wrap;\">The <a href=\"https:\/\/www.cnc.fr\">CNC<\/a> has shown in consistent data a sharp drop in the sector, mainly in cinemas, which is of great national concern. It has also pointed to the <strong>closure of several companies<\/strong> in recent years and the destruction of jobs.<\/p>\n<\/li>\n<li>\n<p class=\"\" style=\"white-space: pre-wrap;\"><strong>Youtube points as the leading content distributor<\/strong>. In my opinion, together with Netflix and its \u201coriginal\u201d content.<\/p>\n<\/li>\n<\/ul>\n<\/div>\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/jordalefou.com\/wp-content\/uploads\/2025\/06\/th_annecy_resume-1024x576.png\" class=\"wp-image-3260\" style=\"width:1200px;height:auto\" srcset=\"https:\/\/jordalefou.com\/wp-content\/uploads\/2025\/06\/th_annecy_resume-1024x576.png 1024w, https:\/\/jordalefou.com\/wp-content\/uploads\/2025\/06\/th_annecy_resume-300x169.png 300w, https:\/\/jordalefou.com\/wp-content\/uploads\/2025\/06\/th_annecy_resume-768x432.png 768w, https:\/\/jordalefou.com\/wp-content\/uploads\/2025\/06\/th_annecy_resume-1536x864.png 1536w, https:\/\/jordalefou.com\/wp-content\/uploads\/2025\/06\/th_annecy_resume-18x10.png 18w, https:\/\/jordalefou.com\/wp-content\/uploads\/2025\/06\/th_annecy_resume.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>I would like to review three feature films that I have seen (although I haven&#8217;t had time to see all the ones competing) and which are excellent :<\/p>\n\n\n\n<p><strong>\u201c<\/strong><a href=\"https:\/\/www.rottentomatoes.com\/m\/arco\"><strong>Arco<\/strong><\/a><strong>\u201d<\/strong> is a mix of several essential and clearly referenced commercial films: \u201cSuperman\u201d, \u201cBack to the Future\u201d, \u201cPonyo\u201d, \u201cET\u201d and <strong>the Miyazaki\u2019s \u201cSherlock Holmes\u201d series (regarding animation characthers), but mashed into a refreshingly modern design<\/strong>. Excellent storytelling and execution in the effectively award-winning film of the year.<\/p>\n\n\n\n<p><strong>\u201c<\/strong><a href=\"https:\/\/specialtouchstudios.com\/en\/production\/allah-is-not-obliged-3\/\"><strong>Allah is not Obliged<\/strong><\/a><strong>\u201d<\/strong>, you could call it \u201cCidade de Deus\u201d in animation. Shocking non-fiction that should not go unnoticed. Explains the fate of children of war, based on a novel by Ahmadou Kourouma. Despite a little raw look, has excellent motion capture (or maybe rotoscoping, I\u00b4m not sure it is Blender) <strong>represents a very real shooting look<\/strong> and dialogues.<\/p>\n\n\n\n<p><strong>\u201c<\/strong><a href=\"https:\/\/www.imdb.com\/es-es\/title\/tt13968662\/?ref_=nm_flmg_job_1_cdt_t_1\"><strong>Marcel et Monsieur Pagnol<\/strong><\/a><strong>\u201d<\/strong>. After the slow and disappointing \u201cThe Illusionist\u201d, not for its artistic quality but for its slow and soporific pace, this new film is excellently paced, bringing to life the biopic of Marcel Pagnol, an <em>unknown in other borders<\/em> French figure who <strong>laid the foundations of French cinema by pushing for the creation of tariffs on American cinema<\/strong> to prevent the destruction of the domestic industry. Of course he was a writer and filmaker. Fantastic.<\/p>","protected":false},"excerpt":{"rendered":"<p style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\">Fast <strong>review<\/strong> on Annecy Festival 2025<\/p>","protected":false},"author":1,"featured_media":48,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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review on Annecy Festival 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